When He Comes Again Rebecca Peck
Apologies for not posting anything yesterday. Outset I thought information technology was April 1st, and then I thought information technology was March 30th, then I remembered that March has 31 days in it. So, needless to say, WordPress didn't practise what I thought information technology was going to do. 🙂 BUT, to brand upward for my absent-minded-mindedness, and instead of coming up with anything clever for April Fool's Day, I take a special treat for all you lot readers—an interview with one of my favorite songwriters, Rebecca Peck! Rebecca has a huge catalogue of songs with cuts from nearly all of your favorite artists, including, just not limited to, the Booth Brothers, the Collingsworth Family, Brian Free & Balls, Legacy Five, Triumphant Quartet, the Hoppers, Signature Sound, etc., etc., etc. In my opinion, she is gospel music'south answer to Twila Paris. My personal favorite song of hers is the Collingsworth Family's "Blessed Be the Lamb." I got the chance to ask her some questions about her groundwork and her career, including her contempo song "Christ Is Even so the King" on Legacy 5'due south latest. My cheers to Rebecca for being so insightful, down-to-earth and gracious. Yous tin read more most her and scan her piece of work at her website. Without further ado, here are my questions and her answers to them!
Southern Gospel Yankee: I read in another interview that y'all began writing from childhood on upwardly. What'south your church building background, and who/what inspired you to write?
Rebecca Peck: I grew upwards playing pianoforte and singing in church and other events. My music tastes accept e'er been extensively eclectic. The pendulum could swing from straight gospel singing to Gershwin, from bluegrass to pop, from church choir music to folk. If it's good music, I'm in! Because of that, it's hard to narrow down influences, merely some would include (not in whatsoever order) The Hayes Family unit (and other family members who sing convention music), Ricky Skaggs, The Sheltons (from Pickens, Southward Carolina), Dallas Holm, The Nelons, my dwelling house church choir and choral recordings, Marty Raybon, Barry Manilow, etc. Yeah, writing was something I played around with as a child, only every bit far as writing "real" songs, that came when I was a teenager. The church I attended had a big variety of music in my impressionable years, but in my teenage years, it became fairly rigid about what was accepted. I had a hard time finding annihilation I really wanted to sing, so I just made upwardly my own stuff. After high school, I started writing what I wanted to write stylistically, and it just morphed from there.
SGY: How long did it have earlier you got your commencement professional cut? Did the cuts come pouring in after that, or was information technology a gradual procedure?
RP: My kickoff cuts came from The Hayes Family in 1991. I got 5 on one record. That was a bang-up feeling! Information technology was definitely a gradual process, though, from that betoken on. Author/artists have the reward of having an immediate outlet for their songs. When yous are a writer who is non an creative person, it is difficult to break in and get artists to listen. It takes time and patience.
SGY: Talk about your new song "Christ is Still the King," which I know you wrote with Dianne Wilkinson. That's a powerful lyric! What was on your mind as you were writing it?
OK, a piffling backtracking here to prepare it upward. Dianne and I have a unique way of writing. We have written over lxxx songs together just accept never done information technology in person. It has all been through e-mail. That in itself is amazing, because I have always disliked writing long altitude! Somehow with her, information technology only clicked. I call back it's because nosotros retrieve alike in many ways and can most read each other's minds. Sometimes, I write lyrics, and she writes music. Sometimes it's the other mode around. Sometimes we do an equal share of both; it only depends on the vocal. This was one where I wrote the lyric, and she wrote the music. The morning time after the last presidential election when tensions were high and people were focused on the turmoil surrounding the election, I started thinking about the sovereignty of God and how He is in control of everything. No affair who is the president and how the political winds modify, some things will not change. I wanted to capture that in a song. I had also just prior to that heard my cousin preach a sermon in which he said that centuries may pass, but the wages of sin is still expiry, and nosotros all the same need a Savior. I sent the lyrics to Dianne, and she made them come alive by perfectly capturing the ability and essence of the truth. It is amazing how she does that. That'southward why she is who she is!
SGY: One of the things that amazes me virtually professional songwriters is their ability to crank out SO many songs in such a brusque time. What does a typical writing calendar week look like for you?
Because of everything going on in my life, I don't have a set pattern on when I volition write. I write a lot by myself these days considering I tin can do that whenever I feel like it and don't have to schedule out a block of time. Co-writing in person (which I LOVE and used to do oodles of!!) has been cut manner dorsum in the last couple years because it'southward hard to set up aside entire days to be away from my footling children. My output of songs has stayed the same, only I'm a little more focused to take my fourth dimension to meditate and pray over things past writing in selective windows of time. Plus, I can exercise information technology in my pajamas! It's just a season I'yard in right now.
SGY: Name a personal favorite song that you lot did Non write.
RP: Oh boy!!! How in the earth do I do that? :o) My favorite hymn is "When I Survey the Wondrous Cross," simply beyond that, I don't recall I could ever option a favorite.
SGY: The list of artists who have recorded your work is very impressive! Is there a particular creative person not all the same on that list whom y'all would especially like to add?
RP: Ricky Skaggs. Or any creative person I have pitched to for years who comes "really close" to cut one, but it doesn't make it on the last record. :o)
SGY: You're prolific in the world of choral music. How does the process of getting choral cuts differ from the creative person cut process?
The choral world is completely different. There are different companies, arrangers, music executives, etc., from the artist arena. Sometimes they overlap (Lari Goss, Cliff Duren, Mike Speck), but it really is a different atmosphere. I feel that print is more than focused on the song itself, and you have to cheque the stage mindset at the door.
SGY: Do you think songwriters get more than or less appreciation in southern gospel than in other genres like country or pop?
RP:I don't really know from personal feel, since I've never gotten any appreciation in those fields. :o) However, awards shows in those genres give the Song of the Year Award to the writer of the vocal, and that is sometimes not washed in SG. Then, perhaps in that regard. It seems to me that the greatest appreciation we could hear is, "Well, washed good and faithful servant." So, that should be what's of import.
SGY: What is your most memorable co-writing experience?
RP:Writing with my grown son, Logan, is precious to me. He is an Crawly writer (non just my son) and is establishing a name for himself in print and the artist world.
SGY: Whatsoever final words of wisdom for aspiring writers?
RP: Write all the time. Don't surrender. Focus on the craft. Study other writers. Understand when you're listening to music that, in some cases, a popular song might not be skillful and a good song might not be popular. Exist willing to take constructive criticism. Requite your dreams to God and focus on Him and His volition for you. Dig into His word, and hide it in your center.
SGY: Thanks so much!
Source: https://www.patheos.com/blogs/youngfogey/2014/04/an-interview-with-rebecca-peck/
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